![]() ![]() The following year, after just four years of operations, Amadeus had grown immensely – signing more airlines with 550 employees from 38 countries. The first prototype of Amadeus Pro was introduced in 1989 it was a revolutionary interface that could save travel agents 50-80% of time and effort when making flight, car, or hotel reservations. From the very beginning, the company had a vision of being an independent and neutral global distribution system (GDS). There has been the rise and fall of supersonic travel, the growth of mass tourism as air travel became more accessible and convenient, the creation of stronger international alliances and content platforms…and Amadeus has been through it all.Īmadeus was first established in 1987 as a joint venture between Air France, Iberia, Lufthansa, and SAS. For over 30 years now, the company has seen the travel industry develop by leaps and bounds. Not only is Logic Pro X a great choice for the money-it is great, period.Just as TTN is celebrating its 40th anniversary, Amadeus has recently celebrated a milestone of its own. I think we’re spoiled by how many options exist. There is a lot of great audio production software on the market. But in my experience, this release is solid. I’m certain there will be some bugs and subsequent patches that crop up. I used it for real work on day one without incident. It looks great and it’s easier to use than before. If you’ve never purchased Logic, now is the perfect time to jump on board. If you’re on a MacBook Pro with Retina display, however, you’ll probably want to upgrade sooner rather than later so you can start enjoying the updated graphics of the UI. At some point, compatibility with Logic Pro 9 is bound to be broken by an OS update or inability to run on newer hardware. That said, I think anyone on version 9 will want to upgrade eventually. The improvements in usability are not major, but they certainly are welcome. If you're already using Logic Pro 9, the upgrading to Logic Pro X isn't something you need to rush out and do right away. Personally, I like to have more control over what I’m doing, and I encourage others to strive for the same. I’m normally a gentle person, but it drives me into giant-Hulk-like-green-rage-monster fury. A lot of people use GarageBand for podcasting and it seems to work fine for them. I get asked about GarageBand all the time. An even better and potentially more controversial question would be: Is GarageBand underkill for podcasting? I think so. So, is Logic Pro X overkill for podcasting? In a way, yes, but so was Logic Pro 9. But the version you buy today will continue working on your existing hardware/OS setup pretty much indefinitely. Granted, there will eventually be a new version that requires you to fork over more coins from the couch. He also pointed out a potentially deal-breaking caveat - Audition CC is available only through a subscription plan-you can’t purchase it outright. In it he pointed out some terrific restoration and corrective tools in Audition that are very beneficial to podcasters. It is renown for editing speed and dependability, even on now-ancient PCs.Ĭhris Breen of Macworld wrote an excellent review of Audition CC. In fact, it’s the editing tool of choice for countless radio stations around the world thanks in large part to its origins as a Windows-based application called Cool Edit Pro. There’s not a single tick of MIDI data, and no vintage synth emulators to be found. Adobe AuditionĪudition CC (opens in new tab) seems like a logical choice for podcast production. I don’t think your shows will sound $500 better, nor will you get them done $500 more efficiently with Pro Tools compared to Logic Pro X. ![]() The playing field has been leveled with regard to export times in Pro Tools 11, but the price difference remains. That’s an eternity in deadline situations! That meant a 60 minute podcast would take 60 minutes to export. ![]() Prior to Pro Tools 11, exports were real-time. That means I can export a show in mere minutes. I switched to Logic from Pro Tools because it offers faster than real-time "bounce". (Full disclosure: I worked for Avid, the maker of Pro Tools, for seven years.) I teach it every day at the collegiate level. To be honest, Pro Tools will always be my first love when it comes to audio software. Pro Tools 11 (opens in new tab) is a killer product, but it’s $700. ![]()
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